Wendy Feinberg on THE WORLD ACCORDING TO ALLEE WILLIS (2024) SXSW

As a music lover, since I watched Scott Rosenbaum’s BANG! THE BERT BERNS STORY, about a prolific songwriter in the early60’s who died prematurely at age 38, I have not been so in awe of a person I never heard of until I saw director Alexis Spraic’s THE WORLD ACCORDING TO ALLEE WILLIS which premiered at the 2024 SXSW Film Festival. The first question I asked myself before I watched the film is, “Who in the world is Allee Willis?” And the 2nd question I asked, as I was watching was, “Why in the world have I never heard of her?”

Born in 1947 to a Jewish family in Detroit, she lost her mom at the age of 15 and turned to music as she struggled with family and personal problems. She gravitated to Motown/black music after listening to Barrett Strong’s “Money” and began writing music in the 70’s. Her mentor was Mary Wells, one of the very few female songwriters of the time. Thank goodness she didn’t listen to her dad, who warned her, “Stay away from black culture!”

I don’t want to give away too much of her accomplishments, as I think it will take away from watching the film and discovering, as I did, all that Allee achieved in her 72 years, but I will mention that she wrote Earth Wind and Fire’s iconic “September” and their “Boogie Woogie Wonderland”. She sold over 50 million records and was inducted into the Songwriters Hall of Fame in 2018. Allee also was a successful multi-media artist, selling her works to the likes of actress Leslie Ann Warren and was among the earliest people to explore using the internet to promote herself, creating an internet show “Willisville” that was funded by businessman, Mark Cuban.

THE WORLD ACCORDING TO ALLEE WILLIS is a wonderfully well-crafted film containing much archival footage, videoed by Willis herself, who began filming her life as a kid in the 1950’s. There are also interviews with many well-known personalities such as Cindy Lauper, Mark Cuban, Patti LaBelle, Paul Reubens and many more whose lives were touched by her. 

Just a few quick thoughts on Godzilla X Kong : The New Empire (2024)

Follow up to 2021's Throw down between the two titans has the pair teaming up when Kong discovers that he isn't the only giant ape left and that the leader of the apes is evil and want's to take over the surface world.

This is more a King Kong film than a Godzilla film. Almost the whole film is focused on Kong's reconnecting with his lost family. Godzilla only shows up now and again to beat up other monsters. While Big G doesn't have a lot of screen time in the earlier films, this is the first one in the current series where it's nominally his film, but he isn't the focus. This is all Kong. It's not a bad thing, but the title promises more than we get.

This is the point at which the Monsterverse jumps the shark. While the film is absolutely entertaining from start to finish, the series is now just Hollywood silliness The serious edge of the earlier films in the series is completely gone. This is just mindless action just because watching giant monsters destroy things is a fun. There is no effort to make them really work in the real world (or consideration of the damage they are causing). That may not sound like much, but having seen GODZILLA MINUS ONE a few months ago, I found that I prefer the more serious discussions that the Godzilla films kick up.  Yes I love the battles but I want something more as well.

My bitching aside this is a fun film. It's mindless action of the best sort. It's giant clashes and good human characters. I had a blast seeing this on a recent afternoon when I was just killing time in Pittsburgh.

Recommended.

Nightcap 5/5/24 Should we engage with people on social media?

Better off alone?

After some fireworks last weekend on social media I’m left pondering at what point we should engage with people on social media.

The short version of reason is that that after someone said they loved a particularly nasty film where bad things happen graphically because of said graphic effects, A friend said he hoped that people considered films their favorites for reasons beyond just the effects.  This sparked anger in some one else who took a general statement as an attack on their favorite film. It wasn’t an attack just a passing comment.  And despite efforts from several people, myself included, to calm things down, it blew up.

The exchange left everyone a bit singed.

I was left to ponder at what point we need to engage with people on social media. In theory it’s supposed to be a free exchange of ideas but more often it becomes an echo chamber as people look for re-enforcement of how they feel. If you are not on their “side” it’s often open warfare. Why? Because this is what we are being taught, and because since we don’t know people on line they aren’t real and they can be attacked with impunity. The attack mentality results in a bitterness and anger and hurt feelings because people can’t understand why the nameless person or famous person they have built up in their minds is "attacking" them by not agreeing with them.

Tempers flare.

It happens all the time on Twitter and if you aren’t use to it seems rather brutal. Actually even if you are used to it it’s brutal.

I tend to stand clear of fights or heated discussions because getting into a shouting match with people I don’t know or follow isn’t worth it. It feels to much like forcing myself into conversations I’m no part of just to say something no one is ever going to actually hear.

I prefer to pick my fights hence what I say tends to be measured on social media…and even here. I weigh what any engagement is worth.

My hesitation is in part due to the fact that in the early days of Unseen Films I was getting flooded with rude comments. A couple of people actively liked to say rude things in the comments so I was constantly removing them. I also had two well-known filmmakers send their fans after me after I panned one of their films. It was so bad I now screen all comments before they are posted.

What I discovered by screening is that by cutting off the fire results in fewer attacks. If people know I won’t play their game, they won’t try to engage me.

I take that  stance when engaging with anyone on social media. With rare exception I don’t seek to provoke. I try to calmly state my feelings and move on.

Of course it doesn’t always work, but it reduces the aggravation.

I will say some bad things about films on twitter, but generally not provocative, and only in connection with a review where you can see my feelings beyond 230 characters. I tend to say rude things as blind posts because it reduces hurt feelings.

The problem is everyone wants to be liked and have their world view approved of. Everyone just wants shiny happy funny farts thrown their way and get upset when that doesn’t happen. 

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A random note- if you are discussing your favorite film and you are discussing that what you like about the film is parts where women are brutalized in graphic detail – you need to be ready for people to look at you funny and hide their children. It’s not that you like the film- it’s that you point out the misogyny and dehumanization of people as the best part that causes people to step away.

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For the few of you curious as to how Unseen is going to go for the next few weeks....

Some new releases this week, folding into Cabane à Sang and Cannes. followed by more new releases until Tribeca  hits

Drive -in Monster-rama April Ghouls 2024 KILLER KLOWNS FROM OUTER SPACE and ESCAPE FROM NEW YORK

 

KILLER CLOWNS FROM OUTER SPACE
Classic horror  comedy was the focus of the raffle basket at the Drive-In Monster rama this April. It was a stunner that everyone wanted to win.

The film itself follows a small town where the title clowns arrive and begin  carting off the population. It’s up to a group pf friends to try and start them.

Making only the barest bit of sense, this is really just a bunch of loosely connected set pieces that entertain with their off kilter sense of reality. It’s also a film that has endlessly quotable dialog that I have been subjected to for nearly 4 decades by my brother who seems to have the film memorized.

While I have seen the film numerous times over the years it was delight to see it on a big screen for the first time, more so when an actual killer clown was wandering through the drive in.

ESCAPE FROM NEW YORK
I first saw John Carpenter’s classic film on the night it premiered in a packed house. I’ve seen it any number of times since then. Recently I’ve tended to catch it in the middle when it runs on one of the various cable stations.

The plot has Kurt Russell’s Snake Pliskin  going into a walled off NYC to rescue the President. It goes sideways from the start and Snake has to fight his way out.

Seeing the film from start to finish for the first time in a decade or more I was truly impressed by how well it is constructed. It’s a finely crafted machine that grabs you and holds you attention from start to finish. Other than a kind of rushed ending the film just moves at a perfect pace.  Its so good one has to wonder why Carpenter isn’t considered a greater director by film lovers.

This is truly a great film.

SPACE THE LONGEST GOODBYE (2024) hits PBS Monday

This is an examination of the effort to find people who can stand the isolation that long trips into space, say to Mars, will require. We watch as the officials at NASA try to sort out potential astronauts who will be able to survive the strain. We also see the candidates who are finally faced with the gulf between their dreams and the realities.

As a space kid who grew up in the late 60’s and early 70’s, and who read everything I could gget my hands on space travel, I found that THE LONGEST GOODBYE opened my eyes. Much like many of the Candidates I found that there was a lot to long travels in space I never considered. As amazed as I am by anyone who gets to leave earth, this film made me consider their achievements to be even more awe inspiring. As much as I would love to go I was forced to consider that maybe I don’t have the right stuff.

This is a killer doc. Not only does it say a great deal about our exploration of space, but it also speaks volumes about the things we hold important. As one astronaut is heard at the start – going into space for an extended period means missing out on things like rain. What will you give up or what are you willing to reduce down to only be available via a screen? I had a lot to ponder.

This is a super film and recommended.

Debuts on PBS's Independent Lens on Monday, May 6th at 10 p.m. ET (check local listings). After, the film be available to stream on the PBS App and also accessible via PBS’s flagship YouTube channel.

APRIL GHOULS 2024 DRIVE IN MONSTER -RAMA: RETURN OF THE LIVING DEAD and DEATHDREAM

 

Last weekend was the April Ghouls version of George and Gene’s Drive-In Monster-rama. This year there wasn’t binding theme for the weekend it was just balls to the wall horror for the first night and Scifi the second. As my brother Joe and I have done since 2020 we have been in the rows enjoying the selections.

As we do every time we go we get there early and spend time talking to the friends we made there, which is pretty much everyone. More and more the weekends are becoming old home week as we see the same faces over and over again.  It’s a semi annual family reunion.

As is typical for us, Joe and I only made through the first two films.  Despite wanting to see MESSIAH OF EVIL and THE CHILDREN, the fact that we stay 25 minutes from the Riverside makes it tough to stay  for three or for films without losing the next day to sleeping in. I could complain that they could shorten the pre-fest screening or in between material but seeing those goodies are just as fun as the features.

RETURN OF THE LIVING DEAD assumes that NIGHT OF THE LIVING DEAD was based on a true incident and that the zombies were created by chemicals and that they were locked up in containers which ended up shipped to a medical supply warehouse. One container is breached and the gas and a zombie escape bringing the dead back to life.

Dan O'Bannon who wrote ALIEN and DARK STAR turns the Romero zombies on their ear with a brilliant horror comedy. Allowing that the logic of some of what happens makes no real sense even on its own terms, RETURN just takes things into the realm of well done horror comedy.  It's  a film that works because O'Bannon gives us characters we like.  For example James Karen and Thom Matthews were so good they brought the actors back in the films that followed.

Seeing the film on the drive-in screen was a blast- in part because the first time I saw the film on opening night, the projectionist spliced the first reel into the print the wrong way so it played upside down and backwards. I always wanted to see the film projected the right way. Also  I enjoyed it because the film is just so much fun.

DEATHDREAM is a film I've seen dozens of times over the years. The story of a grieving mother who wills her dead son back to life, it's a creepy film that leaves the viewer deeply bothered. Moving like the wind its the story of a situation that goes from bad to worse and destroys a family because one member won't accept the truth that one member is gone.

My mother hated the film and how it made her feel...and despite that she still would watch it again and again because it's just that good.

I should say that the restoration by Blue Underground is fantastic and the film has never looked this good before

A Brief pointer toward Who is Stan Smith?(2022)

I'm not doing a full review of this film. It's not that it's a bad film, it's actually really good. Rather it's because I don't care about the shoes.

This is a portrait of Stan Smith, tennis legend, shoe icon and humanitarian.  It's told by his friends and admirers.

WHO IS STAN SMITH? is a very good film. It's a wonderful exploration of the man and his achievements. It's a film that is going to surprise a lot of people who don't know about Smith and the things he did.

As good as the film is I never full clicked with the film. Blame it entirely on the shoes. I really don't care about the shoes, so every time they were mentioned I tuned out. Because the film is really good, despite my not fully clicking with it, I'm saying go see it when it opens in NYC today or LA next week, or where ever it plays.

Slow (2023) opens today

The course of a relationship between a man and a woman that ends up complicated by his asexuality.

Beautifully acted and sensuous film about a relationship that is not quite like the normal. Its a film is carried by leads Greta Grinevičiūtė and Kęstutis Cicėnas who make us fall in love with them and make us want for them to succeed. Its a wonderful romance where the course of love doesn't go as expected.

The selling point for this film is going to be the asexuality angle. Dovydas clearly loves Elena however he is not interested in sex and intimacy. Its a situation that Elena has difficulty with since she is a dancer and loves touch. This is not something that we've seen in the movies before and it is going to resonate with many people.

I liked SLOW. I liked it not for the asexuality angle, but because I liked the people. Frankly if the write ups of the film didn't mention it I wouldn't have noted it because to me it's ultimately not important since this is not about one thing but about how we interact.

Worth a look.

Brief thoughts on Ryusuke Hamaguchi's GIFTwith live performance by Eiko Ishibachi

I went with Ed Douglas tonight to see  GIFT  at Lincoln Center. 

The film is silent  recut version of Hamaguchi's EVIL DOES NOT EXIST. It runs about 75 minutes and contains a lot of alternate or extended takes. The film is designed so that Eiko Ishibashi can play a live score to it (her set up is in the lower right of the picture above).

While the film essentially tells the same story, things play out differently. In this film titles spell out a bit more of the plot at times. At other times we are left to figure things out for ourselves. The film is not really designed as a narrative but as something Ishibashi's score can play off of.

As a concert it's very good.  Several passages were hypnotic with the music. It was so good that I really wish that all notion of a narrative was thrown out and we could have just had random sequences with the score.

If you are looking for a narrative or new great film from Hamaguchi you are going to be disappointed. Too much is missing. Having seen EVIL... at last year's New York Film Festival  I think GIFT is a pale imitation...but then again it was never supposed to be a "film" like EVIL

I enjoyed myself and consider the screening more a concert. It is not anything I would watch again- though I would listen to the score. If you can see it live do so.

On the other hand if you want a solid narrative see EVIL DOES NOT EXIST.

Lost Soulz (2023) opens tomorrow

A winner of an audience award at Tribeca LOST SOULZ was a film that many of Tribeca staff and several writers insisted that I see.  The mix of characters and music had clicked with everyone who saw the film. Based on Word of mouth this looked to be one of the best films of festival. 

This is the story of a young rapper named Sol who lives with his best friend Wesley and his family.  After Wesley overdoses, Sol hits the road, traveling across Texas with a group of artists he met that night. As the group travels and performs Sol discovers who he is and what it means to be responsible and have a family.

This film is wonderful. Full of great characters and greater music LOST SOULZ is  one of the best films of Tribeca.

The look of this film is magical. The stunning visuals mix perfectly framed images with pumped up colors to create a world that is like our own and frequently like our dreams. 

The Music is note perfect. So many times in films about fictional performers the music isn't what it should be, you can't understand why people are falling over the music we hear. You get one, maybe two good songs that stand out but no more, but that isn't the case here. The music is so good that you want to lean in and follow Sol's journey. There is the added bonus that the songs and the score blend together to create a seamless whole.

The cast is great. Sure it helps that I haven't seen most of the cast before so they are real people, but even so none of performers seem to be acting. Everyone seems to be inhabiting their characters. This makes everyone feels real and inviting.

I love the narrative of the film. I love that the film doesn't do what you expected. LOST SOULZ doesn't take any of the regular paths in similar music films. Things aren't pumped up dramatically, life flows. It's a joy not to have confrontations that are coming from the mind of the writer instead of the life of the characters.

This is a great little film. 

What an absolute joy. This is why I love going to festivals and dwelling among the inde films, it's because I get to discover wonderful films like this.

Highly recommended.

Catching Fire The Story of Anita Pallenberg (2023)

Portrait of model, actress and muse Anita Pallenberg. She came from Italy to New York and quickly fell into the in crowd. She became the girlfriend of Rolling Stone Brian Jones before leaving him and becoming the long time paramour of Keith Richards with whom she had several children.

Largely made up of publicly unseen film footage and using Pallenberg's unpublished autobiography as the source of the narration, this is as close to hearing the story of her own life in her own words. It's a trip into the life of a woman that most of us only know as either through the lens of the paparazzi or as the woman who was a girlfriend of one of the Rolling Stones. It's a film that opens up our eyes as to who she was and what was going on around here.

I never really cared that much about Anita Pallenberg. She was always in the news because she was there. I also knew her because she was in BARBARELLA and PERFORMANCE.  As time went on I learned more about her because she was crossing through the lives of other people I was interested in. Recently, thanks to a recent documentary of Brian Jones of the Rolling Stones. 

I really liked CATCHING FIRE. I love that the film finally allows Pallenberg to step out of the shadow of the Rolling Stones and take center stage. Yes, a large part of the film does deal with the Stones, because after all that's what people will want to hear about, but at the same time the film shows us a woman who was a force to be reckoned in her own right. It's a film that changes what we thought we knew about not only Pallenberg but also the Rolling Stones.

This is a super little film. It's must see for any Stones fan, however more importantly it's a must for anyone who wants to see a great film about a intriguing woman.

ROUND UP: PUNISHMENT (2024)

Detective Ma Seok-do (Don Lee) returns for the fourth time  in a bruising action film that takes us back to the darker edge of the first two films. It's an awesome film that will have you reacting to the  film out loud.

This time out Seok-do and his team end up chasing after the mad man behind a gambling syndicate. An expert with a knife  he cuts up anyone who stands in the way of  his making a buck. While the deep dive into the world of computers is not Seok-do's strong point, he manages to assemble a team to break heads and get him close to his target.

This film is an absolute blast. It's a film that has some of the best action sequences in the series. The final fight had me wincing. Full of the expected witty lines and great characters the film just delights us from start to finish. What raises it up from ROUND UP: NO WAY OUT is that there is a weight to the proceedings. Seok-do's promise to a mother to avenge the death of her son gives the film a weight the last film doesn't have. Additionally the bad guy here is so brutal in his attacks that he over comes the cartoony final boss  video game nature of his creation.

I know I could say more, but the truth is this film does what it is suppose so well that it doesn't need me to say anything other than "Go See This."

Mars Express (2023)

In 2200 private detectives Aline and Carlos are hired to find and bring home a notorious hacker. The case puts them into the middle of something bigger involving the robots on Mars and Earth.

This is a scifi hard boiled detective noir. Its classic 1940's film noir mashed with modern day science fiction and the look at artificial intelligence. It has the classic rhythms mixed with eye popping visuals and some kick ass action sequences. It's a blast and a half and I loved it.

I know that some of you are going to be scared off because this is animation. Yes I know anime has made it more accepted, but some people still don't want to watch animation, Never mind that if this was live action they would be first on line to see it. Understand that because of what the film is about and because of where its set and who the characters are the film had to be animated. Even if was live action other than a few characters the vast majority of the rest would have been CGI, or more simply photo-realistically animated.

Watching this film I ended up reacting verbally.  Twists and turns had me talking out loud. The same can be said about the action sequences. 

And then there are the themes and ideas running around in the film. The notions of what it means to be alive, about free will and basic human stupidity have haunted me for days after seeing the film. What I love is that the film's ending has improved the more I think about it. I first thought it was unremarkable and a bit been there... and then all of the things that it implied hit me hard. The profound sense of sadness contained in it filled my heart.

I love this movie. I love it to the point that I regret that I missed going to the work in progress screening that Animation First had a couple of years back.

I really do need to make one  note concerning this film and that when you see this you need to realize that this is a detective film and not an action film. There is action and suspense but there are also slow sequences of detecting. In other words there are some slow sequences, or slow at least compared to some of the bat shit crazy fights.

Once more with feeling- I love this film. You need to see it. If possible when it plays at Animation First Tuesday, or down the road when G-Kids releases it.

How good is it? I don't think it's going  of to move off my Best of the Best of 2024.

FRAGMENTS OF A LIFE LOVED (2023) Hot Docs 2024

Director Chloé Barreau creates an autobiography of herself by taking all the footage she shot over the years with all the men and women she loved and intercutting it with interviews done by a third party, allowing her lovers to freely say how they saw her.

This is a film that the vast majority of us would never want to make. How many of us would ever want our exes to tell us what they really feel about us. Do we really want to know what happened from the other side? It's a scary thought but here it works.

Actually what works here is the that Barreau has created a film that while being very specifically about her and her relationships, it is also about all of us. Watching the discussions in the interviews I found that I felt to connected to everyone. Everything that was being said connected back to my life and loves in one way or another. In making a portrait of herself through the eyes and hearts of other people she has made a film about everyone watching.

If you ever pondered how you might be viewed by your exes or how you may have touched the lives of those who have traveled with you for some of your life, this film may provide some answers, and if nothing else it may raise some questions.

I was moved and intrigued. More importantly when it was done I wanted to go again because I had such a good time and  wanted to spend more time with these people. 

What an absolutely great film.

Recommended.

Marching In The Dark (2024) Hot Docs 2024

Sanjivani, is a widow struggling to raise her family and run her family farm. Not long before her husband committed suicide because of the crushing debt and the inability to make a go of the farm. Turning to the numerous women in the same situation as herself she begins to organize and create a community that can begin to allow the women to make a living and get ahead.

The plight of the countless farmers in India is terrible. They are being crushed by a system stacked against them, the buyers of the goods find any and every excuse to pay the famers as little as possible, and every other part of their lives is set up to take their money and keep them in poverty. It is a life I would wish on no one. The fact that there is an epidemic of suicides is not surprising. That the wives of the men are left behind to raise their children and try and turn it around financially is sad.

This is a bittersweet film. While we watch, and are happy  Sanjivani as she begins to move toward a better life and forms a community, we are still left hurt knowing that there is still along way to go.

Not to put too fine a point on this film kicked my ass. I was left broken by it. The final image of the film has haunted me for the last three weeks since I saw the film. The haunting image of sad resolve has appeared before my eyes numerous times each and every day, despite seeing numerous other films.

I honestly don’t know what to say except that Kinshu Surjan has made a truly great film. Not only is it a great portrait of a woman doing what she has to survive, but it sheds light on a terrible situation I’m certain 99% of the world knows nothing about. If we are lucky this film will get tractions and find the eyes and hearts of the people who can change this terrible situation.

Highly recommended, MARCHING IN THE DARK is a must see.

DEATH OF A SAINT (2024) Hot Docs 2024

Patricia Bbaale Bandak returns home Uganda to look into her past, and in particular the death of her mother when she was an infant. However  she is hampered by her father who really doesn’t want to revisit it and a cultural refusal to speak badly of the dead.

Extremely personal journey into the director’s life is something that is going to require a few minutes of readjustment. Looking and feeling at times like an odd home movie, the film has it’s own rhythms and pacing. I mention this as a warning to anyone who wants a film to go from first frame to the last. This is something else instead. It is a film with the rhythm and pacing of life. Things play out as they do in life not with in the confines of a director’s reconstruction of life.

Bandak wants us to understand her life and she creates the optimal forum for that by bring us truly into her world. In a way it’s a gamble, viewers who want bullet points and a fast pace are going to be disappointed. On the other hand those viewers who want to understand the film’s subject will  go into it and submerge themselves into the place that DEATH OF A SAINT TAKES US.

I’m not going to lie, I was antsy at the start. I wasn’t certain what Bandak was doing, but being a fan of documentaries that really get their point of view across, I belt in and was richly rewarded. The result was a trip to a place and into a life I never imagined.

This is a gem of a film and recommended.

Wendy Feinberg on THE CONTESTANT (2023) which hits Hulu May 2

 Wendy went to the opening night of THE CONTESTANT at  DOC NYC in November and filed this report:

The Contestant tells a wild and crazy true story of a Japanese young man nicknamed Nasubi, meaning eggplant in Japanese, because of his extremely long face. Bullied as a child, he becomes a comedian and in 1998 auditions for a reality show, “A Life in Prizes” in Tokyo. He is randomly selected and given the challenge of living totally isolated and naked in a room, surviving only on prizes he wins off of magazine sweepstakes. Unbeknownst to him, the show is being aired to millions of people on TV. I immediately thought of the movie The Truman Show with Jim Carey, actually filmed in the same year, but is a fictionalized story vs. a real live reality show. 

I would divide the film into two parts. The first consists of watching the bizarre challenge unfold, which in the film is mostly archival footage and commentary  25 years later by Nasubi, his family and the sadistic producer of the show, Toshio Tsuchiya. We hear an audience roaring with laughter as he attempts to survive naked in this small room, but in the theater you don’t hear much laughter from the audience. In fact, I found myself very uncomfortable watching Nasubi’s struggles to survive, actually contemplating suicide, at one point. 

The second part shows the aftermath of surviving 15 months alone and naked in this room. We watch Nasubi’s reaction at finding out that he was watched by millions of people. He struggles to find normalcy again and ultimately ends up helping in a cleanup after a tsunami in his hometown of Fukashima, helping in a cleanup after a major earthquake in Nepal and climbing to the top of Mt. Everest. 

If there is anything we can learn from this film, to paraphase Nasubi, it is that it's possible to take our weaknesses and turn them into strengths. I would recommend watching this film, only because it is so unbelievable that a show like this was aired on TV in Japan and found such great success in 1998. Yet, in The Contestant, we see this “naked truth” with our own eyes! By the way, although he is naked on the show, in true comic fashion, they used an eggplant to cover his private parts. 

Seguridad (2024) Hot Docs

Tamara Segura tries to un ravel her complicated relationship with her abusive father and the country she left behind, Cuba.

This is one of those films that seems to be one thing and then opens up into something larger. Segura’s tale about trying to connect to her father becomes a journey through her family’s history, what made her father become abusive, an exploration of the Cuban revolution, what it means to leave your home country and a few other things. It’s a film that wonderfully is opening doors every couple of minutes, with the result the film makes our eyes go wide as we are brought into a seeming never ending tale.

This is a great film.  It’s wonderfully curated ride through a the life of not only the director but her family and the country of her birth. It is a film that also transcends being just one person’s story, but one that we all can see ourselves in. Something somewhere in this tale is almost certain to click with you.

One of the best films at Hot Docs, it’s also one of the great finds of 2024.

Highly recommended.

Am I the skinniest person you’ve ever seen? (2024) Hot Docs 2024

Eisha Marjara makes a very personal essay about her battle with eating disorders. The disorder was the result of her and a sister’s decision to go on a diet and it's slide into a many year long battle with food and body image.

Even if you’ve seen other films on eating disorders this film is going to rock your world. Less a conventional film than the cinematic equivalent of sitting with a good friend who tells you about their life. There is no distance between you and the story. Even as Marjara uses footage from elsewhere it still feels firmly part of her story. Actually the use of other images expands the story into the larger tale of society and how it views people’s size.

I wasn’t certain going in what I was going to think. As I said at the top I was rocked because you not only intellectually understand the mind set, you physically and emotionally understand it because the mix of words and image paint a picture that bleeds off the screen.

AM I THE SKINNIEST… is a great film and further proof that the best films in any year are very likely to come in short form packages.

So This is Christmas (2024) Hot Docs

Documentary narrative hybrid tells the story of a small Irish town around Christmas.

This is the sort of off kilter film that develops a cult following and lives for ever in the hearts and minds who love off beat films. Most definitely set at Christmas time and containing talk about the holiday, the film looks and feels like something else. The lazy cheat explanation would be to compare it to the work of Wes Anderson, but the truth is that is only superficial, since director Ken Wardrop  gives the film a most decidedly bend that you can only get from having a deep love and passion for things Irish.

Made up of tableaus, voice overs and images of life this film is something one of a kind and delightfully unique.  Its so unique that it took me about a third of the film before I clicked with it. It’s not that there was anything wrong with it, more that Wardrop is doing things his own way and if you fight that the film can’t work it’s magic.

And magic it is. This lovely film is a rye look at the holiday and life in a small town. It’s a film full of the rhythms of an idyllic setting but viewed threw a slightly off window- one that gives everything a glow.

You will forgive me, but there is something special about this film that you need to experience and not read about. My words have failed me.

Do yourself a fovour, just see this little gem of a film